Description
A POPULAR ALTERNITINVE TO THE STANDARD CLASSICAL MOUTHPIECES
This mouthpiece is designed for classical music, offering the player a truly focused and dark timbre with plenty of room for expression and dynamic flexibility. The Reserve alto mouthpiece has been designed to compete with the other well-known classical models. They are precisely machined from solid rod rubber using computer controlled technology for ultimate consistency from mouthpiece to mouthpiece. It offers a strong tonal centre, with plenty of dynamic flexibility.
FEATURES
• Material: Solid Rod Rubber
• Made In: USA
• Chamber: Medium, oval-shaped chamber
• Baffle: Low
• Ligature: Not included
• Manufacturing Method: CNC machined
• Recommended for: Classical Music
Tip Opening/Facing Length
D145 = 1.45mm Tip Opening with a Medium Facing
D150 = 1.50mm Tip Opening with a Medium Long Facing
D155 = 1.50mm Tip Opening with a Medium Facing
Staff Review
"This mouthpiece has a strong and pure core, very dark in nature, and centered in the way that a good classical mouthpiece should be. For me, the dynamic range is confined to a smaller scale, but I think that’s largely because we’re dealing with a classical piece that is focused by nature – in other words, the sound is more concentrated around the quieter dynamics and this is where its fundamental expression is. If you’re playing classical music you need to have a clean and precise control and this piece allows you to do that very well." - Jim - sax.co.uk
Delivery & Returns
UK mainland
Free delivery over £100
Enjoy free delivery on all orders over £100 to mainland UK addresses.
Worldwide shipping
Fast. Fully insured.
Fully insured international delivery, with the final landed cost paid at checkout.
Returns
14 days to return
Online purchases can be returned within 14 days of receipt. Exclusions apply to:
- Custom-ordered goods
- Products with broken hygiene seals, including reeds and mouthpieces
- Digital download codes and software licences
Online purchases cannot be returned to our retail stores.

